This 3-part video addresses the issues of (in)visibility, Asian American identities, and reflexive performance as public scholarship. This video is based on a paper that would have been given at the Society of Ethnomusicology meeting in Philadelphia in 2011. In lieu of my physical presence at the conference, I have made a video to share my work in a form of a mass video.
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W.F. Umi Hsu (pronouns: they/them) writes here to reflect on the intersection among ethnography, civic innovation, and the arts, and on their research of urban sounds and music.Tags
APA music Asian American CDLR civic tech coding community arts critical making cyberpunk digital diaspora digital ethnography digital ethnomusicology digital humanities digital pedagogy dissertation DIY culture dzian! ethnography ethnomusicology experiment field notes Hakka Los Angeles M.I.A. mapping Movable Parts music in Asian America nakashi Obama Paperphone Pinko Communoids public scholarship race scholars lab SEM sound ethnography soundscape SPINearth Taiwan taqwacore The Kominas transnational video youtube 吳盛智 張震嶽
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