The Kominas Play to the Wilderness of North America

What do I know about the Kominas? They are talented musicians with chops for concocting anthemic songs. As people, they’re individuals of immense passion for humanity. As punk rockers, they play music to defy social expectations, embrace the abject, and challenge global and local status quo.

I first met the members of the Kominas at a diner near South Station in Boston this past May. Bassist Basim Usmani threw his arms open to welcome me. Quickly our interview morphed into a party as the other band members and friends joined in. Beyond a typical “this-is-who-we-are”-kind-of discussion, our conversation was substantiated by their astute commentary on media, politics, and their impact on the Kominas and the “Muslim punk” scene associated with Michael Muhammad Knight’s book The Taqwacores.

Since their first “taqwa-tour” in 2007, the Kominas have created new musical directions and social connections. This summer, the band wrote a new song “Blackout Beach” for Waterboard, a play about torture. Crossing the genre lines, the Kominas performed in collaboration with hip-hop duo the M-Team and slam-poet Amir Sulaiman. In the midst of their recent national tour with Sarmust, they cut up a track with Brooklyn hip-hop freestyler Propaganda Anonymous. The tour ended last Saturday. The Kominas are now in studio working on a new qawwali-punk cover of Nusrat Fateh Ali Khan’s song “I Will Worship You My Love.”

Besides reclaiming what it means to be a South-Asian fusion punk band from the Boston suburbs, the Kominas have been busily building a community of like-minded artists and friends. Usmani said that the band aims to form “solidarity with all people of color, reaching out to those in the wilderness of North America.”


Meeting the Kominas

————————————————————————————————-

This post was originally posted on August 19, 2009 on SPINearth.

Leave a Reply